Arca: Kick I review – dissonance meets overground ambitions

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The Venezuelan electronic innovator adds guests and party tunes to her trademark glitchy sounds

The Venezuela-born, Barcelona-based electronic innovator Arca has long made a feature of colliding sound-worlds and destabilising identities. Across three albums (four, if you’re counting the 62-minute track @@@@@) of mercurial productions, chaos and beauty have intertwined. Hand in hand with Arca’s fluid, writhing music have come inquiries into post-gender and non-binary selves.

KiCk I offers up an even broader palette than previously, while keeping up a steady diet of trademark dissonance alongside those slightly more overground ambitions. Stark album opener Nonbinary comes out fighting on behalf of “self-states”, while a handful of tracks plumb Arca’s Latinx heritage even more assiduously than previously: Mequetrefe is as close to pop as this artist has come; Riquiqui features a plethora of rhythmic Spanish voices over intricate clatter.

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