Alejandra Ghersi’s new set is a subversive and mischievous fusion of aural fireworks and psychedelic lyricism aided by Björk, Shygirl, Rosalía and Sophie
Time, from Arca’s fourth album KiCk i, reduces a booming, bass-heavy 4/4 kick drum to a whisper that oscillates around Alejandra Ghersi’s blurry, anaesthetised words. “It’s time to let it out / And show the world,” she coos from a condemned space that evokes the atmosphere of a toilet stall at Berlin super-club Berghain. In the three years since her acclaimed 2017 album Arca, Ghersi has fallen in love and simultaneously found confidence from affirming her non-binary identity. If her previous album evoked a melancholy sci-fi opera set on a drifting space station, KiCk i is a live-streamed party, finding Ghersi at her most unrestrained, mischievous and joyful.
When something doesn’t work, the failure acts as a reminder of the complexity of existence. Perfection is not revolutionary, but change is