Beatrice Dillon: Workaround review – a global future-folk manifesto

These exuberant electronic experiments in mixing 150bpm dub-techno with live instrumentation fizz with the joy of artistic creation

At the end of last year, the Guardian declared Beatrice Dillon “the most thrilling new voice in British electronic music”, and her first full-fledged solo LP, Workaround, demonstrates why. Put together during stolen moments over three years, it feels as though it’s been in the works for even longer. She released a solo mini-album in 2014 and has busied herself with collaborations, DJ sets and art commissions since. Her musical knowledge came through countless hours absorbing music as a record shop assistant. Visual art, literary and other cross-media influences began to crystallise some time after her fine art studies, lending themselves to her installation work. Dillon’s defining feature, however, is the insatiable curiosity for sound that sees her follow sonic leads to their unpredictable ends and beyond. Playful percussion and electro-acoustic experiments are central to her records with Rupert Clervaux, with dubby, jazz-tinged house and techno coming into focus on her club-peripheral productions.

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