Category Added in a WPeMatico Campaign
(Warp) Steven “FlyLo” Ellison usually releases an album of his collapsed nu-jazz every other year to roaring acclaim, but has spent much of the past half-decade producing for Kendrick, mentoring Thundercat and rowing back his imbecilic defence of alleged rapist the Gaslamp Killer. This long-delayed sixth album, weakly based around the concept of fire, is …
Flying Lotus: Flamagra review – stuck in a cosmic time-warp Read More »
(4AD) Related: Holly Herndon: the musician who birthed an AI baby It’s credit to Holly Herndon’s skill as a musical guide that her third album, though up to its elbows in complex ideas, feels so invigorating. Her boldest attempt yet to reconfigure modern dilemmas musical, technological and philosophical, it looks back, finding inspiration in the …
Holly Herndon: Proto review – dizzying beauty and bracing beats Read More »
(The Leaf Label) A solo album by an improvisational drummer would in most circumstances elicit a wary groan, but Australia’s Laurence Pike is no ordinary percussionist. He’s played with a miscellany of jazzers (notably pianist Mike Nock), and embraced genres from psych to electronica to spiritual jazz. Nonetheless, his 2018 debut, Distant Early Warning, was …
Laurence Pike: Holy Spring review – cosmic drum trips Read More »
(Jagjaguwar) On her 2016 debut Heavn, musician, teacher and activist Jamila Woods crafted an ode to her home town of Chicago, and a new kind of protest music. Her contemplative, modern style of soul is built both for marching, and for recuperation, when you need to recover from the fight. Continue reading…
(Severn Songs)Combining genres from jazz to minimalism with a great city’s musical heritage, without resorting to pastiche, is no mean feat Ishmael is a saxophonist, DJ, producer and bandleader, known to his friends as Pete Cunningham. Over the past few years, he’s conducted some madly varied DJ sets, created stately remixes of tracks by Detroit …
Ishmael Ensemble: A State of Flow review | John Lewis’s contemporary album of the month Read More »
(Accidental Records) The Matthew Herbert Big Band are attempting something that so far seems beyond our politicians: “To work out what a new kind of relationship with our European neighbours may look like.” This BPI-funded project has taken Herbert to Syria, China and Russia and has provided work for more than 1,000 musicians from across …
(Ninja Tune) Berlin is famous for its vast nightclubbing landscape, with destination venues existing alongside an endless supply of spots for house-music enthusiasts, just off the beaten track. Yet it also harbours a reputation for having drained the genre of all colour, sometime during the course of a transatlantic cultural dialogue that would reshape the …
Jayda G: Significant Changes review – inclusive manifesto for dancefloors – and oceans Read More »
(Domino) With a couple of honourable exceptions – specifically his self-titled 2001 solo debut and last year’s excellent Sparkle Hard – Stephen Malkmus has too often during his post-Pavement career found himself bogged down in amorphous, sub-Grateful Dead jams. Indeed, Frank Black aside, it’s hard to think of a solo canon that’s been quite so …
Stephen Malkmus: Groove Denied review – stark, forbidding soundscapes Read More »
(Ninja Tune) I’ve always found the Cinematic Orchestra too pretentious, too austere, a band whose ambitions outran their abilities. With this fourth album, 12 years after their last, that austerity is over. To Believe is heartbreakingly brilliant: a collection of exquisitely assembled songs that appear delicate from a distance before revealing a close-quarters core strength. …
The Cinematic Orchestra: To Believe review – heartbreakingly brilliant Read More »
(Rocket Recordings) The trumpets that permeate Teeth of the Sea’s fifth album act like the prophetic horns of Jericho. Laid thick with reverb, they herald the dystopian landscape the London-based trio create through nine tracks of scattering electronic percussion, earthy bass lines and eerie ambience. Largely instrumental, Wraith plays more like a slab of techno …
Teeth of the Sea: Wraith review – sonic dystopians explore ambient brass Read More »