Nídia: Não Fales Nela Que a Mentes review – intimate introspection from Lisbon producer

(Príncipe)
Nídia shines in her new, more meditative album, showcasing a breadth of dance genres with a keen eye for emotion and turmoil


Conceived almost a decade ago, the Príncipe label burst out of Lisbon’s poorer outskirts and onto an international scene enriched by burgeoning global sounds. While the song Danza Kuduro and acts such as Buraka Som Sistema took kuduro to car sound-systems and festival tents worldwide, Príncipe were keen to expand on the genre’s potential and break down racist, sexist and classist barriers holding it back locally. There are hints of house, techno and hip-hop in their music but the African-diaspora sound of Príncipe primarily incorporates Angolan kizomba’s intoxicating rhythms, melodic tarraxinha and the more skeletal, hard-hitting tarraxo. Few on the roster capture the sheer breadth of these styles as well as Lisbon-via-Bordeaux producer Nídia, whose repertoire shines across party-starters and darker tracks. Following a joyous debut EP, her first album for the label landed in 2017, pulling no punches with its heady, high-octane batida.

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