Pixies: Beneath the Eyrie review – gothy, theatrical alt-rock fables and tall tales

Minus the loud-quiet-loud dynamic, Pixies’ third album since re-forming has creepy songs about witches, spells and death

The dilemma for any re-formed band is whether to try and re-create their “classic sound” or try to develop it, to avoid becoming a tribute to themselves. Thus, Pixies’ third album since reuniting largely shuns the loud-quiet-loud dynamic of their first four albums, which influenced grunge and indie rock for at least a decade. The default mode here is more conventionally anthemic alternative rock: American gothic meets British goth.

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